My Trip to Burma: Last day in Inle Lake: Long-necked ladies, skilled silversmiths, and ancient ruins at Indein.
I spotted this dog just walking amongst the folks on the street. She had a little grocery bag in her mouth.
On the walk, we passed by a few little tributaries of the main canal that were so crammed with long boats that I don't know how they're ever going to get them out.
We also passed a typical sight, when it comes to Burmese transport: cramming the maximum number of people onboard.
Beautiful day for a boat ride
And once again, a sight I never got tired of seeing, the fishermen out early, with their nets, doing their famous one-legged rowing.
We were met immediately by one of the Padaung women. She was a really nice person, someone who would really stick their neck out for you if you needed. 
It is indeed a hand weaving workshop. Here's a woman weaving some very blue thread.
Actually, had to pick him up. He had a little friend nearby, too. So cute.Here we are. Mya Hin Tha, the gold and silversmith workshop. We got to see the guys melting the silver, and we got to see the craftsmen performing their trade. Some of them were very young.
This young guy was making clasps for chains. Very fine manual dexterity involved here.
Check out this guy's hands. George Costanza may have been a hand model, but I can't imagine his hands are as nice as this kid's. These hands have never done any manual labor, that's for sure.
We got in the boat and continued on. It was a beautiful, warm day. But this was November, and 82 degrees is considered cold to some folks. Like Nyein Nyein. Notice her behind Mark. She was bundled up with sweaters and scarves, and she held an umbrella in front of her to block the "wind". This is all part of the Shwe Inthein stupa complex. It's a collection of 1054 17th and 18th century stupas which are being slowly restored.
Up on that hill is the first collection of stupas. Once again, I'm struck by how these ruins, which are so old and of such historic importance, aren't roped off or guarded in any way at all. You just walk among them, climb among them, touch them. You can't have this kind of experience in the U.S., where it's all behind glass or protected by security guards.

Here's Mark at the entrance of one of the small many small stupas. Check out the still-intact intricately carved figures around the entrance.
The brick structures were often crumbling, but these statues seemed to remain intact.
This little pagoda was the coolest. It was up on a mound, with a little dirt path leading to the entrance.
The walls in the entryway had some very nicely preserved Buddha paintings.
Inside, amongst some rubble was a pretty spectacular Buddha. Again, there was no one guarding it, no cameras. There wasn't even room for more than one person inside. It's just you and the Buddha.
Afterward, we headed uphill, along a covered walkway where people were selling hand-crafts and other items.
There was something very cool about these little pagodas, with their narrow entrances and individual, unique Buddha statues. They were each so small and so intimate. You can't help wondering about the person or persons who built that particular one, how much time they spent in it, and how much it meant to them. Each one felt special.
Here's a few final views, before we head to our next amazing site.

And this woman doing the same, with her baby on her back.
She was happy to pose with her lil' baby. He was oblivious, naturally.
Inside the building are a few interesting monuments. There's a bell. And of course, many Buddha images. 
Oops, sorry. Ladies not allowed!

There was an interesting statue in the pagoda. It was the Buddha's footprint, so to speak. Many people paid their respects to this one, and then tossed in donations. It's in the foreground.


Saw this nice dog on the terrace. Another sweetie. Followed us around for a while. This one looked fairly well cared for.
And also this cat, in the entryway.
























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